Use Your DSLR as a Webcam with Software from Nikon, Canon, and Fuji

Using your DSLR or mirrorless camera as a webcam is one of the best ways of upping your Zoom game. Of course, having a way to record quality video from your desktop or laptop isn't just reserved for Zoom, but over the past six months, as the world has treated online meetings like a second home, the race to stand out has left the major camera manufactures looking to offer software to help.

Don’t Cancel Your Canon R5 Pre-Order Yet: A Hands-On Review

Preview models as well as the first round of pre-orders for the Canon R5 have shipped, and reviews are coming in droves. The rumors of possible overheating for the R5 proved true, but, as some have pointed out, it seems this camera is a victim of its own marketing. Many are canceling their Canon R5 pre-orders and swaying towards the Sony a7S III. The R5 is not a videographer's camera. The R5 is a photography camera that just so happens to also do incredible video. So for all of the photographers out there who have been waiting to get there hands on the new Canon mirrorless camera, watch this incredibly detailed review by Gordon Laing before canceling anything.

Sony a7S III Announced: 4K 60p, 16-bit External Raw, Ultra-Low Noise, and More

Filmmakers can rejoice: the a7S III is here. Five years in the making, this monster of a camera seems to have been worth the wait. While some may have been hoping for 8K video, it is clear the new a7S model still exceeds expectations with its 4K 10-bit video at 120 fps. We also have bitrates of up to 600 mbps (for those counting, that is six times the previous capability). The new model also provides vast improvements in low-light shooting and autofocus. The a7S III can also record 16-bit raw when connected to an external recorder through its full-size HDMI port.

Photographers Converting to Canon as R5 and R6 Pre-orders Begin

Matt Johnson is a filmmaker who also runs an incredibly popular YouTube channel of nearly 240,000 followers. Just a few days ago, Canon released the official specs on the anticipated R5 and R6 models, and now the early "hands-off" reviews have started coming in. According to Johnson, the R5 is a camera so good that he didn't see Canon ever making it. He even goes so far as to say he will convert to Canon. In a separate video, Johnson also takes us through the specs for the R6.

7 Waterproof Film Cameras Under $1,000

Recently, released a list of their top seven film cameras for underwater shooting. The price range comes in from $10 to around $1,000. Underwater photography didn't start with the advent of digital cameras, and, previously, film shooters had the options of either underwater housings (similar to many of the ones we see now for digital) or cameras specifically designed to handle underwater conditions. I think we are all familiar with the Kodak Water & Sport, even if the name isn't familiar the blue outer skeleton will be. These cameras are still in production and, in fact, are probably available at your favorite beach-side convenience store. The photo above was taken with one from our last family vacation and processed by Indie Film Lab.

New Lenses and Teleconverters from Sigma

A ton of new and exciting news from Sigma this week and all geared towards the mirrorless shooter. As the world of digital photography looks more and more towards the incredible mirrorless camera world with the likes of the Fuji x-seires, Sony a7, Canon EOS R, and Nikon Z6 Sigma does the same. Sigma has become one of the most trusted third party lends manufactures with their Art series propelling them into the mainstream and so it makes sense that they are following the photography world and now offering even more option for mirrorless mounts.

Wedding Photography with the DJI Mavic Air

The DJI Mavic Air 2 began shipping last month, and the reviews are coming in. Smaller and cheaper than its "Pro" partner, the Mavic Air 2 offers incredible obstacle avoidance. For those looking to be a little more mobile possibly brining their Mavic along to destination weddings, the Air 2 can be a great choice over the Pro. Now with the second edition of the DJI Mavic Air, we are getting the ability to capture 48MP raw photos, 4K60 H.265 video, and the more powerful OccuSync 2.0. Here is a review of DJI's current Mavic lineup.

Gear Isn’t Everything

In the age of Canon vs. Nikon vs. Sony vs. Fuji, it's really easy to get caught in a gear war: which camera is best? Which lens? What preset? Medium format, full frame, or cropped sensor? What gives certain photographers that “look?” And why is the first question most ask, “What lens did you shoot that with?”

Gear Review: Why I Use Fuji for Wedding Photography

I remember the first camera I used. It was a beat up, old Konica from the 1980s that I found for $30 at a garage sale. It was covered in dust and was missing a few screws, but the images it produced were full of character. A camera is merely a tool, but after experimenting with dozens of different lenses, cameras, and formats, I realize there is more to the equipment than the technical specifications. There is a specific character that is rendered depending on the film stock (or sensor) in combination with the glass used that can't be quantified, and is the main reason why I test everything before I buy. There are plenty of technical spec and data reviews on Fuji cameras elsewhere, so I won't go into that, here. Rather, this is about what I look for in digital technology to be a more homogeneous hybrid photographer.

How I Use My Smartwatch as a Wedding Photographer and Videographer

About a year ago, my boyfriend convinced me to get a smartwatch. At first, I was hesitant because my mental image of a smartwatch was a techy, nerdy-looking, and not-very-classy gadget. However, when he showed me a picture of the Rose Gold Garmin Vivoactive 3, I was sold. After wearing the watch every day for a year, I've come to realize it is perfect for wedding photographers and videographers for so many reasons.

Metering 101 with Richard Photo Lab

Spot meter, incident meter, external meter, metering modes, bulb-in, bulb-out...? Whoah. I've probably seen dozens of tutorials and articles on how to meter, and the variations on technique can be confounding for new photographers both digital and film. Here's the thing: metering is essential. Whether you are a digital photography who spends their day in studio metering for strobes or a natural light photographer running around in a million different scenarios on wedding days, you need to get it right. And yes, film has latitude (some more than others), but if you've shot enough film you know the vast difference between a properly and improperly metered image.
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